Ottoman Empire

Everyone needs a place in their home where—after a long day at work—you can kick up your heels and enjoy some BRAVO Housewives or a crossword puzzle. I’m working on decorating ours right now, but I’ve had the hardest time finding the right ottoman. Everything is too high, too tufted, too leather, too steampunk, or just too damn expensive. So when I stumbled across one that was cheap as dirt and just the right dimensions, I nabbed it: with plans to reupholster immediately.


I’ll likely need to recover it every year or two, so I kept the job quick and easy-to-replicate. Using some neutral fabrics I already had, I came up with a simple design that would do the trick and withstand some wear and tear.

Here’s how I took this piece from fugly to fab in under 20 minutes:
I cut the base fabric with a little excess and stapled it taught to the underside of the ottoman. It was a little tricky around the legs but—once stapled in place—I was able to loosen the legs, then pinch the fabric to the ottoman. I cut 2 wide strips of the striped fabric, laid them perpendicular across the ottoman and stapled them taught as well, one at a time. I trimmed the excess fabric and tacked the overlapping strips in place with a few simple stitches here and there (so it won’t get mangled from foot traffic).

Et Voila, there you have an ottoman empire ready for conquering…

Chenille alligator-print rug is by Martha Stewart Home, morroccan tray is an antique, my absolutely favorite scented candle is by Kilian Hennessy, large woven throw pillow by Ashanti (of Cape Town, South Africa), and the best damn dog in the world, Ella, is our rescue Potcake from Jamaica (the island, not the borough).

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Wardrobe Function

Hot off the Oscars, everyone’s talking about ‘what they wore’, but I’m more interested in where they hang it all when they get home. What does that space look like?

Everyone’s got their daily routines and ideally, their zone. My husband, Ryerson, and I just brought ours to life. We sold our fab little 20’s colonial tudor this fall and bought a bigger/older project: an 1805 farmhouse in Franklin Lakes, NJ (yes, BRAVO Housewives territory).

Moving whilst crazed at our jobs was traumatic at best, so we focused our weekend-warrior energies on getting our private quarters finished first. ‘Oasis of organization & comfort’ has been our mantra. As usual, we took the job very seriously and built ourselves some totally over-the top closets. Ry turned the existing walk-in into his own personal haberdashery (sans valet) and I took the liberty of transforming our off-bedroom office into a gallery of glam. I’m a jeans, boots and blazer gal by nature but this wardrobe-chapel is making me see things in a whole new light.

Interior Design & Styling by moi, Meredith McBride Kipp
Photography by Laura Moss
Closet construction by Ryerson Kipp et moi

My coveted Billy Haines slipper chair from the 40’s makes a great statement piece.

Hot pink clutch and gold leather wrap bracelet by cousin Ted Kruckel at Gigi New York. Gorgeous Key Tassel candle (my favorite gifting item) by friend Elad Yifrach, founder of L’Objet. Tray by Royal Limoges from my factory tour purchases in Limoges, France a few years ago during Pairs (Maison et Objet) market— OBSESSED— bought the Asian-laquer-red china to match. The giant wishbone is by Nima Oberoi. I can’t remember where I picked it up, but it was a must-have-you moment. Looks like you can buy it at a number of places now, here’s one.

I rewired and cleaned this pretty, old chandelier (estate sale purchase) to add a little classic romance to the space.

Using a level, I simply hammered rows of nails into the wall to create a display for all my casual accessories. It’s much easier to accessorize when you can see all of your options. This is an easy project I highly recommend. I chose the wall that is usually hidden by the open closet door, but if you are doing this on a more prominent wall, you might want to get pretty brass hooks or decorative knobs to use instead, just to give it a little more polish.

I have too many funky old broaches (this one is Kenneth Jay Lane) lying unappreciated in a drawer, so why not use them to accentuate your boudoir decor?

I used a mixture of brass knobs for my accessories drawers.

Standard options for accessory organizers tend to be tacky, so I like to hide everything in drawers. Here, I’ve used a simple, modern desk accessory to hang all of my hoops and dangling earrings. It’s a great way to display and store them.

To purchase the full story (with before photos) for editorial or commercial use, it is now available at Red Cover.

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amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

Haute Hamptons Showhouse

My husband & I attended Traditional Home’s Hampton Designer Showhouse Preview Party in Watermill last weekend. To be honest—given the current climate—I wasn’t expecting much; showhouses everywhere have been suffering from this economic crisis. I was pleasantly surprised, however: new and fun ideas were abound, eclectic collections glorified, exotic chances taken.

Not only was it a lively party with great food, a cool crowd and tremendous gift bags (best I’ve seen in years), but the designers knocked it out of the park.

My ultimate favorite of the evening was Katie Leede’s upstairs guest room. She made a lot of unexpected materials sing together. It was a cozy, luxurious, and super-sexy bedroom.

Other highlights of the evening were: Robert Passal’s bright, playful master bedroom; Tamara Kaye-Honey’s fabulously twisted baby’s room; the handsome living room (shown at the very top right) by Patrick Lönn Design ripe with equestrian flourishes; and the vibrant dining room by Mabley Handler Interior Design.

This year’s Showhouse is located at 80 Flying Point Road, Water Mill, NY and is open daily (11AM to 5PM) through September 3, 2012. Go check it out before it ends. It’s chock-full of inspiration.

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amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

Designer Showhouse Soirée

On Saturday evening, I attended the Preview Party of The Designer Showhouse of New Jersey with stylish and hilarious friend, Meg Bashaw. We gabbed with tons of guests and designers at “Hidden Acres Estate”—a 10 acre property in the Chestnut Ridge area of Saddle River, NJ. Traditional Home is sponsoring the 11,000 sq. ft. home featuring more than 20 interior and landscape designers.
The showhouse is open daily through June 10th (closed Mondays) from 10am to 4pm. General admission is $30. The Heart & Vascular Hospital and Emergency Trauma Department of Hackensack University Medical Center will benefit from all proceeds.

The entryway (below) by modelesque sisters Linda Maley & Lisa Keyser of Whitepop was dramatic and fun. I particularly loved their Jagger altar at the top of the stairs.

The dining room (below) was sexy, sophisticated and eclectic. No surprise, as Jennifer McGee masters those qualities in all her work. She had fabulous artwork, comfortable chairs and great focal points. I especially loved the built-in lounge in the corner (shown below with friend Meg Bashaw) that would be a great spot for cocktails before or after a dinner party.

Next we hit Philip La Bossiere’s room (my favorite room of the evening), an ultra-chic den/study (below). His attention to fine (and inventive) detail would make anyone want to upholster a bookshelf. His work is casual and relaxed, yet so very polished. LOVE.

Down the hall to a total SHOW-STOPPER, Keith Baltimore’s ultra-glamorous party room (below). I can definitely imagine my alter-ego smoking Nat Shermans with a cigarette holder and sipping endless bubbly in here.

Upstairs we found Barbara Ostrom’s office (below) calming and just the right combo of lodge and cabana.

Opposite Barbara’s office (below), was the spouse’s office, handsomely decorated by  the lovely duo Susan & Eugene Barbieri. LOVED the carpet. LOVED the RL lamps. And great artwork by Richard Bruce.

And last, but certainly not least, Colin Patrick Corcoran (friend of a friend as it turns out) decked out a luscious bedroom (below) with eclectic and interesting art and objets. I appreciated his mix of materials throughout the room—from geodes and alligator skin to watercolors and shagreen—there was plenty of texture to behold.

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amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

Affordable Art Fair NYC: The Editor’s Cut

I had the privilege of checking out the Affordable Art Fair this morning before it was opened up to the public later in the day (thanks to HGTV & Antonio Ballatore‘s sneak preview lunch). Here were the absolute highlights (for me) and they might still be for sale if you hurry! (hover over each photo for the artists’ names)

Fields of Gold

I visited my parents’ home today to pick daffodils (the daffodil window is only about a week long but definitely my favorite seasonal tradition). Much to my surprise, there are some incredible things happening in these 200-year-old daffodil beds. After tens of decades of cross-pollination and just a few years of bee-keeping (by my father), I am seeing species I’ve never seen in all my years of meticulous (and admittedly obsessive) harvesting.

Laid-back Luxury


We spent Easter with my godfather, Chuck Elmes, at his 1760’s estate home in Middletown, NY. As we pulled up to his picturesque, 400-acre polo farm (Blue Sky Polo), Chuck walked down the dusty drive to greet us; hair wind-blown just-so, small tear in the breast of his sweater, hands dirtied from a hard day’s work… but he had had time to set the dining room with his fine china and crystal.

Chuck was raised on a plantation in Georgia and as a young man he moved north and entwined himself in the country club & real estate worlds. That and his love for polo inspired him to start a polo club. The man knows his way around a horse farm, a clay court and a boardroom. He’s as rugged as Robert Redford and as refined as him in The Great Gatsby. He’s the definition of laid-back elegance and exactly what Ralph Lifshitz has been bottling and selling for decades.

After getting the Easter feast going, Chuck took us for a little drive around the grounds. The views and smells—saddle soap and leather—refreshed my fond childhood memories of watching polo games and riding his exceptional ponies.

Aside from the sprawling, perfectly-level fields abuzz with matches, there is a sideshow at Blue Sky that Chuck [loves and] has brought to the forefront in recent years. He boards dogs in what he calls The Pet Camp. It’s like Canyon Ranch for canines. He has roughly 70 pups at any given time (from around Manhattan and its ‘burbs) and he honestly knows each and every one by name (and personality). By day the dogs romp around a racetrack, play in the fields, swim in the pond and sunbathe. And at night, one by one, he calls them in and they slip into their individual horse-stall-suites.

While on the topic, I recently found a great little London-based pet boutique, Mungo & Maud. They will be launching a US online store next month. The wooden dog bowls are polished and chic and the adjustable rope leads and collars are very cool.

The Tables Have Turned…

Last night I attended my favorite annual DIFFA (Design Industries Foundation Fighting AIDS) event, Dining by Design, hosted by Architectural Digest. It’s an intimate and lively party where internationally celebrated designers and local talent create inspiring three dimensional dining installations. Nestled up against Architectural Digest’s Home Design Show at Pier 94, this oasis of extraordinary dining environments sets the stage for five days of fundraising.

Every year, I look forward to the the feast of visual and culinary inspiration that is DBD, and I was not disappointed. Chef Geoffrey Zakarian of The Lambs Club had crazy-delicious bites in Chinese soup spoons—one with a scallop and another with an english pea puree—and Effen Vodka was serving up delectable cucumber-vodka tonics. Tonight will be the second part of DBD: a $500/ticket gala dinner where attendees will dine in the dreamed-up spaces and then dance the night away.

The installations will be on display to the public today through Sunday. Tickets are $25 and benefit DIFFA.

Here’s a sneak peek…

I loved Design Within Reach’s (table above) miniatures (below) at each setting!
Loved the chairs at Domoore Designs table (below)

The equestrian references all over Eric Warner’s table (below) were clever and chic. Note bridal gear around light and hanging stirrup votives and I LOVE LOVE LOVED the plates! Side note: good use of Baccarat glassware.


Goil Amornvivat (you may recognize him from Bravo’s Top Design) & Tom Morbitzer’s (above) totally CNC-cut setting (below)—with American and Thai (Goil was born in Bangkok) references—was very cool. See their Frenchies in the background under the rainbow. Godzilla: very funny cliche reference. Love it.

Jonathan Adler did a stellar job with Kravet‘s table (below). I love his use of bathroom fixtures (?) as handles on the back of each section of the table. The backs of each seat are the walls of the unit.


Had a blast (drinking La Crema wine, a hugely-generous sponsor of the event) with friend, Marc Blackwell, at his gorgeous bar-height table (below). I particularly loved his filament fixture that ran the length of the table.


Marimekko’s wild and fabulous table was a serious show-stopper (below). LOVE!

Mark Cunningham‘s table (below) was definitely one of my favorites of the night. From the slatted walls to the leather chargers, it was warm, handsome and well-built. Absolutely gorgeous!


My husband, Ryerson Kipp (above), of The DSM Group admiring Maya Romanoff‘s golden palace of a table. When gabbing with (the handsome and elegant) Vicente Wolf, he said that—while he did not do a table this year—he helped these guys with their installation.
I thought the flooring (below) was made of placemats (which would be a really cool idea for a small space!), but I think they are samples of Romanoff surfaces.

And below is my favorite of the evening was this gem by Shawn Henderson Interior Design

New York Time’s table by DDC (below) was was a good example of how sometimes having strong pieces that speak for themselves is enough. The Baccarat chandelier is amazing and I love the tall Marcel Wanders piece in the middle. His collections for Baccarat are pure brilliance.

Pratt Institute
‘s table (below) wasn’t the most aspirational of spaces but it had a few really interesting things going on. Note the woven tabletop.

The Ralph Lauren team knocked it out of the park again with their super luscious lodge that was just the right mix of horn, fur and fire (below).

This table by RYDC was really fun. I loved the contrast of crustacean-laiden coral with high-shine lucite chairs (below).

This strung-out table (below) was by no means cozy, but it was BEAUTIFUL and so photogenic! The reflection of the long, narrow fixture in the tabletop was outrageous and all the materials used really spoke to one another. I think this is a good example of a wildly successful installation for this kind of event. Some tables are amazing in person but terrible in photos. This one was striking in person and even more so on film.

Swarovski’s table (below) was wild with wrap-around flat screens playing sparkly, blue video. At each place-setting: platinum Aegean china by always-ultra-glamorous (yet practical) L’Objet.


I really loved the floral arrangements from Maya Romanoff’s table (below) and Liebherr’s table (far below). Very fresh and springy!

Dangling Karats


LOVING the jewelry of designer, Arielle Ratner. She lives and works (out of her home studio) in Williamsburg, Brooklyn, and spends her weekends riding her horse, Tycoon, in the “farm country” of Pennsylvania, where she hails from. She’s completely adorable:
What do you love about Williamsburg?
This neighborhood has everything a young artist wants; inexpensive and eclectic restaurants, interesting nightlife and music, and great parks. It is close enough to get to Manhattan, but far enough away.

Favorite local spot? Lately I’ve been obsessed with the Roebling Tea Room. They have one of the best burgers in town, a great brunch menu and delicious Bloody Marys!

Name someone in the industry that you admire. Pippa Small: she is a designer first and foremost, but also an incredible philanthropist and a successful role model in jewelry micro-financing. Like Pipa, I have large goals of giving back and I try to accomplish this by donating a percentage of my profits. In an industry that can be very exploitative to their workers, it is important to give back.

Favorite travel destination thus far? Brazil. The lifestyle, the people, the food, and the energy of the country is unrivaled by any other place that I’ve been to, and it’s an incredible place to find design inspiration.

Anything else you want to mention? Can you get me a date with that Edward Holland?

Photo with horse: Ryan Moore. Jewelry and studio portrait: Annabel Clark

Get a Piece of Edward Holland…

I visited a designer showhouse where a very talented and fabulous friend, Jennifer McGee, was exhibiting (see a detail from her room below). After shamelessly running my hand over the outrageous, custom Greek key molding, I was drawn to the large abstract painting by a young artist that left me thinking… Who the fuck is this guy and why don’t you know anything about him?

Edward Holland is a local artist: he lives and works in New York City and is a staff member at NYU. I went to his studio to interview the [deliberate and disarmingly handsome] painter:

What artists are you most inspired by? There are certain artists that I continually return to for answers to problems, or to remind me to let something go: Manet, Johns, Mitchell, Matisse, Bruegel, Titian… I could keep going, but that would be boring. As far as more contemporary artists are concerned, I really admire Albert Oehlen, Michael St. John, Gordon Moore…
Do you find joy in completing a piece, or is there a certain part of your process that you enjoy most? I don’t know. For me, making a painting is a constant give and take. It is like a romantic relationship: you have moments of intensity and moments of despair, moments of compromise and selfishness; and when the relationship runs its course, you walk away unsure of your feelings. While that sounds really reductive, it is true for me. After a painting is finished, I may not know how I really feel about it until a couple of years later.
Are you superstitious in the studio? No. More OCD than superstitious. I like having my brushes in a certain place, my mediums in a certain place, and my cart in a certain place. It extends to the way that I stretch and prime a canvas, how I attach the hardware, and how I inscribe the back. I am a supreme creature of habit; so these rituals and placements have been honed over time.
I absolutely love Edward’s work. So much, in fact, that I added a piece to my personal collection (see below). Every time I stop to really appreciate it I see new things—it’s very rewarding—there’s so much depth in his work.
More about Edward Holland: he has a BFA from Syracuse University and an MA from NYU. He has had solo shows in New York and has been a part of many group exhibitions in NYC, Santa Fe, Cincinnati, Brooklyn, throughout the Hamptons, and Venice, Italy. He exhibits with the well-known Gerald Peters Galleries of NYC and Santa Fe

HE HAS UPCOMING EXHIBITIONS AT: Gerald Peters Galleries in New York City this spring, NYU’s 80wse galleries (May 23-June 9), Peter Marcelle Contemporary in Bridgehampton this summer.

Photo credits: Lead portrait and studio shots by Meredith McBride Kipp, Jennifer McGee interior by Peter Rymwid, bottom Holland portrait by Sandra Locke.

Here is a sampling of a few of my favorite Edward Holland pieces. For inquiries about these and other works, you can contact Edward directly or call him at 917.584.6236
a painting for my nine year old self, acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 incheshunter’s twilight (after gifford), acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 inchesinterior VI, acrylic, colored pencil and graphite on paper with collage, 14 x 11 inches
please please me, acrylic, colored pencil, graphite and oil on canvas with collage, 48 x 64 inchesThis one is HUGE and soooo amazing!! I absolutely LOVE this piece and wish I had a wall large enough… one day…
the doomsday lollipop
: 2007, acrylic, colored pencil, graphite and oil on paper with collage, 48 x 84″