DIY Shagreen: Console Transformation


Photo by Laura Moss. Interior design & styling by me, Meredith McBride Kipp.

I found this great console table recently and dragged it home. It’s got great lines and would look perfect covered or lacquered in just about anything (except mauve). I envisioned covering it in real shagreen (j’adore shagreen) but my lack of diamond-tipped tools and experience steered me towards a nice faux alternative (they have alligator, ostrich and other textures too)!

If you dare to DIY—avoir patience! Here’s how I did it:
1. I cleaned the table thoroughly to remove all oils, dirt, etc. Then, sanded the entire table with a fine grit paper (I would go a little heavier next time: the more surface texture you can create the better) and wiped it down with a tack cloth: much better than cleaning again because you don’t want to add moisture to the surface you are about to adhere to.
2. I measured out all my leather pieces (with a little excess) and cut them with scissors. If you’re going to cut the pieces to precise dimensions, I’d use an exacto and cutting mat. If you are using a textured fabric or leather, make sure you center your pattern before you cut your pieces.
3. After stirring the DAP Weldwood Contact Cement (follow the directions well), I poured it into a glass tray (easy-wash surface)—for my mini-roller—and applied it generously to all surfaces of the table as well as the backs of all the pre-cut leather pieces.
4. After letting it “set for over 40 mins”, I attempted to apply all the pieces, but had little to no luck bonding leather-to-table. I went to bed completely irate: for not doing it the easy way from the get go (glue gun, staple gun, heavy duty spray adhesive: my usual). To my surprise and delight,  I awoke to surfaces that actually bonded! They had just needed more cure time. From there it was easy…
5. I aligned and bonded all the leather surfaces and trimmed them with a sharp exacto (always & often change your blades!), using the table itself as my straight-edge. The material cut like butter.
6. I cut the 45-degree angles with a proper metal angle (after learning the hard way on the now “back” of the table) and trimmed off all the excess.
7. I reached out to my leather expert cousin, Ted Kruckel, at Gigi New York (where all of my favorite accessories are from) for recommendations on what to use to finish the edges with. He recommended I use Basic Adhesives for custom-matched leather edge paint. Since I wanted to finish this project asap— so I could share w/y’all immediately— I decided to custom-mix acrylic t-shirt paint instead (same material I’m almost positive), and I painstakingly hand-painted all the edges. This gave it the finished, deluxe look I desired. et Voila: free to fabulous in less than 24 hrs…

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© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

Ottoman Empire

Everyone needs a place in their home where—after a long day at work—you can kick up your heels and enjoy some BRAVO Housewives or a crossword puzzle. I’m working on decorating ours right now, but I’ve had the hardest time finding the right ottoman. Everything is too high, too tufted, too leather, too steampunk, or just too damn expensive. So when I stumbled across one that was cheap as dirt and just the right dimensions, I nabbed it: with plans to reupholster immediately.


I’ll likely need to recover it every year or two, so I kept the job quick and easy-to-replicate. Using some neutral fabrics I already had, I came up with a simple design that would do the trick and withstand some wear and tear.

Here’s how I took this piece from fugly to fab in under 20 minutes:
I cut the base fabric with a little excess and stapled it taught to the underside of the ottoman. It was a little tricky around the legs but—once stapled in place—I was able to loosen the legs, then pinch the fabric to the ottoman. I cut 2 wide strips of the striped fabric, laid them perpendicular across the ottoman and stapled them taught as well, one at a time. I trimmed the excess fabric and tacked the overlapping strips in place with a few simple stitches here and there (so it won’t get mangled from foot traffic).

Et Voila, there you have an ottoman empire ready for conquering…

Chenille alligator-print rug is by Martha Stewart Home, morroccan tray is an antique, my absolutely favorite scented candle is by Kilian Hennessy, large woven throw pillow by Ashanti (of Cape Town, South Africa), and the best damn dog in the world, Ella, is our rescue Potcake from Jamaica (the island, not the borough).

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amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

Designer Showhouse Soirée

On Saturday evening, I attended the Preview Party of The Designer Showhouse of New Jersey with stylish and hilarious friend, Meg Bashaw. We gabbed with tons of guests and designers at “Hidden Acres Estate”—a 10 acre property in the Chestnut Ridge area of Saddle River, NJ. Traditional Home is sponsoring the 11,000 sq. ft. home featuring more than 20 interior and landscape designers.
The showhouse is open daily through June 10th (closed Mondays) from 10am to 4pm. General admission is $30. The Heart & Vascular Hospital and Emergency Trauma Department of Hackensack University Medical Center will benefit from all proceeds.

The entryway (below) by modelesque sisters Linda Maley & Lisa Keyser of Whitepop was dramatic and fun. I particularly loved their Jagger altar at the top of the stairs.

The dining room (below) was sexy, sophisticated and eclectic. No surprise, as Jennifer McGee masters those qualities in all her work. She had fabulous artwork, comfortable chairs and great focal points. I especially loved the built-in lounge in the corner (shown below with friend Meg Bashaw) that would be a great spot for cocktails before or after a dinner party.

Next we hit Philip La Bossiere’s room (my favorite room of the evening), an ultra-chic den/study (below). His attention to fine (and inventive) detail would make anyone want to upholster a bookshelf. His work is casual and relaxed, yet so very polished. LOVE.

Down the hall to a total SHOW-STOPPER, Keith Baltimore’s ultra-glamorous party room (below). I can definitely imagine my alter-ego smoking Nat Shermans with a cigarette holder and sipping endless bubbly in here.

Upstairs we found Barbara Ostrom’s office (below) calming and just the right combo of lodge and cabana.

Opposite Barbara’s office (below), was the spouse’s office, handsomely decorated by  the lovely duo Susan & Eugene Barbieri. LOVED the carpet. LOVED the RL lamps. And great artwork by Richard Bruce.

And last, but certainly not least, Colin Patrick Corcoran (friend of a friend as it turns out) decked out a luscious bedroom (below) with eclectic and interesting art and objets. I appreciated his mix of materials throughout the room—from geodes and alligator skin to watercolors and shagreen—there was plenty of texture to behold.

Creative Commons License
amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.