Animal Instincts

Now that we are past New York Fashion Week, let’s talk about a real trend-setter with values deeply rooted in the earth, well-being, and humanity.

Before it was popular, Imelda McCain (seen above) opened her all-handmade toy store, Playing Mantis, in Tribecca in with the goal of providing families and children with toys she felt were worthy of—and that she was already making for—her own son, Lucas (seen below). Not only has she been providing smart, wholesome, green toys for local families for the past 8 years, but she has been giving back to craftsmen and their families and communities—around the globe—in the process.

According to Imelda, every toy has to have a story and a passionate creator behind them. With these altruistic standards in mind, Imelda has had many years of success with Playing Mantis as she has watched Lucas, now 14, grow up. She has been making toys out of felted wool (from her own alpaca & sheep farm) and wood since the get go, but this year she has started a new line that I think is particularly fabulous, and Lucas agrees.

So if you are left feeling drained from another overly-commercial Fashion Week, take a peek at these stunning creations of Imelda’s and feel inspired, refreshed, and perhaps a few years younger? Coincidentally—or not—Halloween is just around the corner and so is Playing Mantis where Imelda has all of her homemade, homegrown, felted-wool beauties on display and for sale! I hope you enjoy them as much as I do! And if you haven’t been to Imelda’s shop, it’s well worth a visit.

 

Thanksgiving with Style

Thanksgiving is only two weeks away! For all you hosts out there, don’t wait for the panic to set in. Take care of your tabletop(s) now so that you can put your heart into the food preparation later… and actually enjoy it.

Whether you have a game plan or not, I’d recommend popping into The Little Flower Shoppe in Ridgewood, NJ for their Stress-free Holiday Decorating Party tomorrow night (Thursday, Nov 14, 2013, 6-8pm). RSVP: 201 652 7600 or info@raimondihg.com. Fabulous flower extraordinaire, Anne Miller (who has worked with the likes of Preston Bailey and David Tutera) will be giving floral advice and dishing inspirational tabletop ideas. Ridgewood Fare will be serving up delicious bites and giving pointers on cuisine. And in the proper spirit of Thanksgiving, a portion of the evenings sales proceeds will be going to Children’s Aid and Family Services.

Here is the Thanksgiving table I styled with florals and frills from said Anne Miller. I asked for “dark, rich and deadly” and she delivered:

Photography by Laura Moss.
Anne sourced all the flowers (and miniature orchids) and fruit (miniature eggplants, figs, gourds, grapes, various berries, and these incredible little green spiky seedpods) directly from the flower district in New York. Bring her any vessel that’s right for your table, mantle, doorway, etc and she will fill it with the the most beautiful work you’ve ever seen.

The salad plates and dinner plates are from a totally fabulous buying trip to 200+ year-old porcelain factory, Royal Limoges—the oldest existing porcelain factory in all of Limoges, France—but you can pull this look off with whatever whites you have at home. Throw a pop color in there for fun: I found these celadon green dinner plates at Crate & Barrel that at first I thought were a knock off, but I they appear to actually be made by Jars, a very well respected stoneware factory in France (I also have a set of this exact dinnerware in a dark green: it’s totally awesome and totally rustic and totally perfect for a hearty Thanksgiving meal). The flatware is a vintage brass set I picked up at an estate sale years ago, but I found a ton of Ricci Argentieri’s “Bamboo d’Oro” on (my favorite website) replacements.com. Frankly I’d recommend the electroplated gold over the brass any day because mine is nearly impossible to keep polished. There are tons of sets on online auction houses too… happy hunting and happy thanksgiving! xx Mere

Get a Piece of Edward Holland…

I visited a designer showhouse where a very talented and fabulous friend, Jennifer McGee, was exhibiting (see a detail from her room below). After shamelessly running my hand over the outrageous, custom Greek key molding, I was drawn to the large abstract painting by a young artist that left me thinking… Who the fuck is this guy and why don’t you know anything about him?

Edward Holland is a local artist: he lives and works in New York City and is a staff member at NYU. I went to his studio to interview the [deliberate and disarmingly handsome] painter:

What artists are you most inspired by? There are certain artists that I continually return to for answers to problems, or to remind me to let something go: Manet, Johns, Mitchell, Matisse, Bruegel, Titian… I could keep going, but that would be boring. As far as more contemporary artists are concerned, I really admire Albert Oehlen, Michael St. John, Gordon Moore…
Do you find joy in completing a piece, or is there a certain part of your process that you enjoy most? I don’t know. For me, making a painting is a constant give and take. It is like a romantic relationship: you have moments of intensity and moments of despair, moments of compromise and selfishness; and when the relationship runs its course, you walk away unsure of your feelings. While that sounds really reductive, it is true for me. After a painting is finished, I may not know how I really feel about it until a couple of years later.
Are you superstitious in the studio? No. More OCD than superstitious. I like having my brushes in a certain place, my mediums in a certain place, and my cart in a certain place. It extends to the way that I stretch and prime a canvas, how I attach the hardware, and how I inscribe the back. I am a supreme creature of habit; so these rituals and placements have been honed over time.
I absolutely love Edward’s work. So much, in fact, that I added a piece to my personal collection (see below). Every time I stop to really appreciate it I see new things—it’s very rewarding—there’s so much depth in his work.
More about Edward Holland: he has a BFA from Syracuse University and an MA from NYU. He has had solo shows in New York and has been a part of many group exhibitions in NYC, Santa Fe, Cincinnati, Brooklyn, throughout the Hamptons, and Venice, Italy. He exhibits with the well-known Gerald Peters Galleries of NYC and Santa Fe

HE HAS UPCOMING EXHIBITIONS AT: Gerald Peters Galleries in New York City this spring, NYU’s 80wse galleries (May 23-June 9), Peter Marcelle Contemporary in Bridgehampton this summer.

Photo credits: Lead portrait and studio shots by Meredith McBride Kipp, Jennifer McGee interior by Peter Rymwid, bottom Holland portrait by Sandra Locke.

Here is a sampling of a few of my favorite Edward Holland pieces. For inquiries about these and other works, you can contact Edward directly or call him at 917.584.6236
a painting for my nine year old self, acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 incheshunter’s twilight (after gifford), acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 inchesinterior VI, acrylic, colored pencil and graphite on paper with collage, 14 x 11 inches
please please me, acrylic, colored pencil, graphite and oil on canvas with collage, 48 x 64 inchesThis one is HUGE and soooo amazing!! I absolutely LOVE this piece and wish I had a wall large enough… one day…
the doomsday lollipop
: 2007, acrylic, colored pencil, graphite and oil on paper with collage, 48 x 84″