DIY Lamp Makeover

Newly finished lamps in my guest room.

I don’t know about you, but I have a closet of things I should bring to Salvation Army but just can’t part with. I also have a habit of picking up people’s rejects (these 60’s wood veneer lamps for example) and other sad items at antique stores and estate sales that are screaming for a facelift. Here, I help you (and myself) tackle 2 of these afflictions at once and create one beautiful product out of two unwanted ones.

Using a skirt—from about 10 years ago—I reupholster a pair of lamps. Back story on the skirt I only wore once: it was a sweltering summer day in midtown (NYC) and I was working at Elle Decor magazine at the time. We were throwing a book signing party that night in conjunction with PR team LaForce + Stevens for Martha Baker’s coffee table book about beautiful pools, The Swimming Pool: Inspiration and Style from Around the World. I would have paid my small salary to be in a pool at the moment but instead found myself sweaty, running late, and hustling through god-awful Times Sq to get to this event. I detoured into the GAP and in under a minute reappeared refreshed and in this skirt (picture Clark Kent in the phone booth). Both Margaret Russell (EIC of Elle Decor at the time) and author Martha Baker complimented me on the skirt that night, so it only seems appropriate that I’ve—hoarded the skirt until now and—turned it into a pair of lamps.

I think the tight pattern lends itself well to this small-scale project and gives these lamps sort of a French mid-century meets Herend porcelain look. Read below for instructions on how I did it. Happy DIY’ing!

GAP skirt from 10 years ago.

 

I cut the skirt into clean fabric panels, removing zippers, pleats, etc.

I ironed the fabric to start with a fresh, flat material.

After measuring the height of the lamp base, I cut a panel large enough to wrap the base with a small overlap. I used the factory edge along the bottom of the lamp so I would have one less edge to finish later. With a glue gun, I ran a bead of hot glue along the length of the lamp and slowly fit the fabric to the lamp as i rotated it and glued as I went. I did not hem or fold the finished edge because I had a very clean cut and my final bead of glue was lean and tidy right up agains the edge of the cut.

I then trimmed the excess fabric along the top and left a slight overlap so that I would have extra to finish the top with.

With a small plastic card (you could use the corner of a credit card or a thick business card), I tucked the extra lip of fabric under the metal collar at the top of the lamp.

I then measured and cut strips for the two remaining wood veneer areas.

Again, I applied the perfectly cut fabric strips to the lamp and glued as I rotated

And then did the same with the last section.

Here’s what they looked like after all was said and done. The tight pattern on the fabric gives the two tired lamps a very sleek new look.

And at last, they find a home in our guest room, flanking the bed.

The painting above is by Ellen Reinkraut. Throw pillows are similar to these ones by Pottery Barn.

Hampton Designer Showhouse


Mark your calendars decor deal-finders and haute-hunters! Only one more week to go until Traditional Home’s annual Hampton Designer Showhouse has their online auction! A handful of special items from each designer will be auctioned off… and (a portion of) the proceeds will benefit Southampton Hospital.

A few weekends ago, my husband Ryerson and I attended the Gala Preview Party for the debut of the 2013 Hampton Designer Showhouse. The party was lively, the cocktails were flowing, the crowd was very glamorous and the interior design was exceptional.

Though we did not get to meet him, we saw Thom Felicia (if you look closely at the picture above, you’ll see him checking in). Upon arrival, we decided to see the house before checking out the outdoor party—which turned out to be a good game plan—and we moved through each room and meet all the designers with ease and sans traffic.

After passing through Celerie Kemble‘s grand but restful master bedroom, I spotted idol and decor celeb (and Honorary Showhouse Chairman), Mario Buatta. I immediately turned red and noted the lack of AC in the house. I’ve met Mr. Buatta probably 3 or 4 times now, but have never managed to have a satisfying conversation over the sound of my chattering teeth. This time was no better… He had an absurdly robust plume of chest hair protruding from the top of his neckline—normally buttoned and bow-tied—that I fought hard not to make eye-contact with while I reintroduced myself. I explained that I had just written a magazine column on him and his new retrospective (Mario Buatta: Fifty Years of American Interior Decoration, published by Rizzoli) that is about to come out. He seemed amused watching as I struggled with his practical joke (see photos below, it was indeed faux chest hair that came out later in the party). We parted ways—me reeling from missed opportunities of composure and humor—and bee-lined it for the bar.

The back yard was abustle with a lively, quintessential Hamptons summer party crowd. After procuring a cocktail, we had the pleasure of bumping into another of my interior design idols, Vicente Wolf, and his friend (also a well-known interior designer) Matthew Yee. We were engaging in a nice little chat (everything my Buatta conversation was not) until—out of nowhere—Vicente & Matthew sprang away! Before I could worry about what I’d said, the lawn sprinkler soaked my lower half, and I too leapt backwards (before it got my white silk shirt) and watched in shock as women (and men) screamed and ran. Gowns got soaked, seersucker wilted, and white linen pants became see-through. It was hilarious. And a blessing in disguise? I think so: it was over 100°F and wildly humid out.

After that, it was time to go. Plenty of excitement for one decor party night.


ABOVE: Lillian August‘s cheerful and punchy dining room. I love the painting on the back wall by Julie Headland.
BELOW: Bakes and Company‘s kitchen with outrageous countertops and custom refrigerators and freezer drawers (shown bottom left). Hot!

Below (3 photos) of Patricia Fisher Design‘s sitting area and breakfast nook. The saffron and light grey with pops of bright green were a refreshing and inviting combo.


Below (2) photos taken from upstairs of the guests cruising through the entry foyer by Michael Herold Design, and the living room by Brian del Toro Inc.

Brady Design‘s beautiful and serene guest room/tv room. The hand-crafted mattress upholstered in baby alpaca was the inspiration for the room, as it could be used as a lounge during the winter OR covered with sheets during the guest-ing season.

Alan Court & Associates‘s (Alan shown below) created a stunning guest bath with stone and leather walls! I had to touch.

Barbara Page Home‘s playful guest room overlooking the backyard had dramatic photography from Robin Rice Gallery

Celerie Kemble‘s master bedroom with charcoal seagrass walls and pops of turquoise and blue hues.
The charming Mr. Mario Buatta, before and after my chest shrug run-in. I guess he got too hot! Here’s a link to the piece I wrote about his book that comes out in September

Below is my favorite room in the house, by Bradley Stephens, Stephens Design Group (photo courtesy of KDHamptons.com). These masculine quarters share a 2-sided fireplace with the master bedroom and the ceiling (though you can’t tell from the photo) covered in a fabulous, distressed-wood wallpaper. Bradley said it was a painstaking job, but added so much to the room that it was worth the effort. The room was eclectic and handsome and had a wonderful mix of art and artifacts, including an dissected lobster, similar to one I saw a few years back in the world-famous taxidermist, Deyrolle (one of my favorite places in Paris).

Michael Mariotti’s glamorous master bath with patterned seagrass walls, ornate tiling, and a beautiful leather bench with flocatti throw.

Sherrill Canet Interior’s Morroccan-inspired family room for Pearson (where all the furniture and textiles are from). Sherrill laid all the mirrors out on the ground in the middle of a market in Morrocco in order to visualize them in this comfortable and graphic room!

Ken Gemes’s casual outdoor dining area facing the backyard party

The lively outdoor party

One of the aforementioned fashion-foiling sprinklers (below left); and the guests running from the scene (below right). My sad, wet, bejeweled shoes (not shown)
Click here for Editor at Large’s video coverage of the event with Traditional Home’s stylish Tory Mellot (who I worked w/at Elle Decor) doing interviews.
To read about other fabulous Hamptons events (and laugh hysterically), check out my cousin Ted Kruckel’s most recent BizBash column, “This Year’s Hamptons Events: From the Sublime to the Ridiculous”

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amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.

DIY Shagreen: Console Transformation


Photo by Laura Moss. Interior design & styling by me, Meredith McBride Kipp.

I found this great console table recently and dragged it home. It’s got great lines and would look perfect covered or lacquered in just about anything (except mauve). I envisioned covering it in real shagreen (j’adore shagreen) but my lack of diamond-tipped tools and experience steered me towards a nice faux alternative (they have alligator, ostrich and other textures too)!

If you dare to DIY—avoir patience! Here’s how I did it:
1. I cleaned the table thoroughly to remove all oils, dirt, etc. Then, sanded the entire table with a fine grit paper (I would go a little heavier next time: the more surface texture you can create the better) and wiped it down with a tack cloth: much better than cleaning again because you don’t want to add moisture to the surface you are about to adhere to.
2. I measured out all my leather pieces (with a little excess) and cut them with scissors. If you’re going to cut the pieces to precise dimensions, I’d use an exacto and cutting mat. If you are using a textured fabric or leather, make sure you center your pattern before you cut your pieces.
3. After stirring the DAP Weldwood Contact Cement (follow the directions well), I poured it into a glass tray (easy-wash surface)—for my mini-roller—and applied it generously to all surfaces of the table as well as the backs of all the pre-cut leather pieces.
4. After letting it “set for over 40 mins”, I attempted to apply all the pieces, but had little to no luck bonding leather-to-table. I went to bed completely irate: for not doing it the easy way from the get go (glue gun, staple gun, heavy duty spray adhesive: my usual). To my surprise and delight,  I awoke to surfaces that actually bonded! They had just needed more cure time. From there it was easy…
5. I aligned and bonded all the leather surfaces and trimmed them with a sharp exacto (always & often change your blades!), using the table itself as my straight-edge. The material cut like butter.
6. I cut the 45-degree angles with a proper metal angle (after learning the hard way on the now “back” of the table) and trimmed off all the excess.
7. I reached out to my leather expert cousin, Ted Kruckel, at Gigi New York (where all of my favorite accessories are from) for recommendations on what to use to finish the edges with. He recommended I use Basic Adhesives for custom-matched leather edge paint. Since I wanted to finish this project asap— so I could share w/y’all immediately— I decided to custom-mix acrylic t-shirt paint instead (same material I’m almost positive), and I painstakingly hand-painted all the edges. This gave it the finished, deluxe look I desired. et Voila: free to fabulous in less than 24 hrs…

Creative Commons License
amerelife.com by Meredith McBride Kipp is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

© Meredith McBride Kipp and amerelife.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Meredith McBride Kipp and amerelife.com with appropriate and specific direction to the original content.