I visited my parents’ home today to pick daffodils (the daffodil window is only about a week long but definitely my favorite seasonal tradition). Much to my surprise, there are some incredible things happening in these 200-year-old daffodil beds. After tens of decades of cross-pollination and just a few years of bee-keeping (by my father), I am seeing species I’ve never seen in all my years of meticulous (and admittedly obsessive) harvesting.
We spent Easter with my godfather, Chuck Elmes, at his 1760’s estate home in Middletown, NY. As we pulled up to his picturesque, 400-acre polo farm (Blue Sky Polo), Chuck walked down the dusty drive to greet us; hair wind-blown just-so, small tear in the breast of his sweater, hands dirtied from a hard day’s work… but he had had time to set the dining room with his fine china and crystal.
Chuck was raised on a plantation in Georgia and as a young man he moved north and entwined himself in the country club & real estate worlds. That and his love for polo inspired him to start a polo club. The man knows his way around a horse farm, a clay court and a boardroom. He’s as rugged as Robert Redford and as refined as him in The Great Gatsby. He’s the definition of laid-back elegance and exactly what Ralph Lifshitz has been bottling and selling for decades.
After getting the Easter feast going, Chuck took us for a little drive around the grounds. The views and smells—saddle soap and leather—refreshed my fond childhood memories of watching polo games and riding his exceptional ponies.
Aside from the sprawling, perfectly-level fields abuzz with matches, there is a sideshow at Blue Sky that Chuck [loves and] has brought to the forefront in recent years. He boards dogs in what he calls The Pet Camp. It’s like Canyon Ranch for canines. He has roughly 70 pups at any given time (from around Manhattan and its ‘burbs) and he honestly knows each and every one by name (and personality). By day the dogs romp around a racetrack, play in the fields, swim in the pond and sunbathe. And at night, one by one, he calls them in and they slip into their individual horse-stall-suites.
While on the topic, I recently found a great little London-based pet boutique, Mungo & Maud. They will be launching a US online store next month. The wooden dog bowls are polished and chic and the adjustable rope leads and collars are very cool.
Last night I attended my favorite annual DIFFA (Design Industries Foundation Fighting AIDS) event, Dining by Design, hosted by Architectural Digest. It’s an intimate and lively party where internationally celebrated designers and local talent create inspiring three dimensional dining installations. Nestled up against Architectural Digest’s Home Design Show at Pier 94, this oasis of extraordinary dining environments sets the stage for five days of fundraising.
Every year, I look forward to the the feast of visual and culinary inspiration that is DBD, and I was not disappointed. Chef Geoffrey Zakarian of The Lambs Club had crazy-delicious bites in Chinese soup spoons—one with a scallop and another with an english pea puree—and Effen Vodka was serving up delectable cucumber-vodka tonics. Tonight will be the second part of DBD: a $500/ticket gala dinner where attendees will dine in the dreamed-up spaces and then dance the night away.
The installations will be on display to the public today through Sunday. Tickets are $25 and benefit DIFFA.
Here’s a sneak peek…
I loved Design Within Reach’s (table above) miniatures (below) at each setting!
Loved the chairs at Domoore Designs table (below)
The equestrian references all over Eric Warner’s table (below) were clever and chic. Note bridal gear around light and hanging stirrup votives and I LOVE LOVE LOVED the plates! Side note: good use of Baccarat glassware.
Goil Amornvivat (you may recognize him from Bravo’s Top Design) & Tom Morbitzer’s (above) totally CNC-cut setting (below)—with American and Thai (Goil was born in Bangkok) references—was very cool. See their Frenchies in the background under the rainbow. Godzilla: very funny cliche reference. Love it.
Jonathan Adler did a stellar job with Kravet‘s table (below). I love his use of bathroom fixtures (?) as handles on the back of each section of the table. The backs of each seat are the walls of the unit.
Had a blast (drinking La Crema wine, a hugely-generous sponsor of the event) with friend, Marc Blackwell, at his gorgeous bar-height table (below). I particularly loved his filament fixture that ran the length of the table.
Marimekko’s wild and fabulous table was a serious show-stopper (below). LOVE!
Mark Cunningham‘s table (below) was definitely one of my favorites of the night. From the slatted walls to the leather chargers, it was warm, handsome and well-built. Absolutely gorgeous!
My husband, Ryerson Kipp (above), of The DSM Group admiring Maya Romanoff‘s golden palace of a table. When gabbing with (the handsome and elegant) Vicente Wolf, he said that—while he did not do a table this year—he helped these guys with their installation.
I thought the flooring (below) was made of placemats (which would be a really cool idea for a small space!), but I think they are samples of Romanoff surfaces.
And below is my favorite of the evening was this gem by Shawn Henderson Interior Design…
New York Time’s table by DDC (below) was was a good example of how sometimes having strong pieces that speak for themselves is enough. The Baccarat chandelier is amazing and I love the tall Marcel Wanders piece in the middle. His collections for Baccarat are pure brilliance.
Pratt Institute‘s table (below) wasn’t the most aspirational of spaces but it had a few really interesting things going on. Note the woven tabletop.
The Ralph Lauren team knocked it out of the park again with their super luscious lodge that was just the right mix of horn, fur and fire (below).
This table by RYDC was really fun. I loved the contrast of crustacean-laiden coral with high-shine lucite chairs (below).
This strung-out table (below) was by no means cozy, but it was BEAUTIFUL and so photogenic! The reflection of the long, narrow fixture in the tabletop was outrageous and all the materials used really spoke to one another. I think this is a good example of a wildly successful installation for this kind of event. Some tables are amazing in person but terrible in photos. This one was striking in person and even more so on film.
Swarovski’s table (below) was wild with wrap-around flat screens playing sparkly, blue video. At each place-setting: platinum Aegean china by always-ultra-glamorous (yet practical) L’Objet.
I really loved the floral arrangements from Maya Romanoff’s table (below) and Liebherr’s table (far below). Very fresh and springy!
LOVING the jewelry of designer, Arielle Ratner. She lives and works (out of her home studio) in Williamsburg, Brooklyn, and spends her weekends riding her horse, Tycoon, in the “farm country” of Pennsylvania, where she hails from. She’s completely adorable:
What do you love about Williamsburg? This neighborhood has everything a young artist wants; inexpensive and eclectic restaurants, interesting nightlife and music, and great parks. It is close enough to get to Manhattan, but far enough away.
Favorite local spot? Lately I’ve been obsessed with the Roebling Tea Room. They have one of the best burgers in town, a great brunch menu and delicious Bloody Marys!
Name someone in the industry that you admire. Pippa Small: she is a designer first and foremost, but also an incredible philanthropist and a successful role model in jewelry micro-financing. Like Pipa, I have large goals of giving back and I try to accomplish this by donating a percentage of my profits. In an industry that can be very exploitative to their workers, it is important to give back.
Favorite travel destination thus far? Brazil. The lifestyle, the people, the food, and the energy of the country is unrivaled by any other place that I’ve been to, and it’s an incredible place to find design inspiration.
Anything else you want to mention? Can you get me a date with that Edward Holland?
Photo with horse: Ryan Moore. Jewelry and studio portrait: Annabel Clark
I visited a designer showhouse where a very talented and fabulous friend, Jennifer McGee, was exhibiting (see a detail from her room below). After shamelessly running my hand over the outrageous, custom Greek key molding, I was drawn to the large abstract painting by a young artist that left me thinking… Who the fuck is this guy and why don’t you know anything about him?
Edward Holland is a local artist: he lives and works in New York City and is a staff member at NYU. I went to his studio to interview the [deliberate and disarmingly handsome] painter: 
What artists are you most inspired by? There are certain artists that I continually return to for answers to problems, or to remind me to let something go: Manet, Johns, Mitchell, Matisse, Bruegel, Titian… I could keep going, but that would be boring. As far as more contemporary artists are concerned, I really admire Albert Oehlen, Michael St. John, Gordon Moore…
Do you find joy in completing a piece, or is there a certain part of your process that you enjoy most? I don’t know. For me, making a painting is a constant give and take. It is like a romantic relationship: you have moments of intensity and moments of despair, moments of compromise and selfishness; and when the relationship runs its course, you walk away unsure of your feelings. While that sounds really reductive, it is true for me. After a painting is finished, I may not know how I really feel about it until a couple of years later.
Are you superstitious in the studio? No. More OCD than superstitious. I like having my brushes in a certain place, my mediums in a certain place, and my cart in a certain place. It extends to the way that I stretch and prime a canvas, how I attach the hardware, and how I inscribe the back. I am a supreme creature of habit; so these rituals and placements have been honed over time.
I absolutely love Edward’s work. So much, in fact, that I added a piece to my personal collection (see below). Every time I stop to really appreciate it I see new things—it’s very rewarding—there’s so much depth in his work.
More about Edward Holland: he has a BFA from Syracuse University and an MA from NYU. He has had solo shows in New York and has been a part of many group exhibitions in NYC, Santa Fe, Cincinnati, Brooklyn, throughout the Hamptons, and Venice, Italy. He exhibits with the well-known Gerald Peters Galleries of NYC and Santa Fe
HE HAS UPCOMING EXHIBITIONS AT: Gerald Peters Galleries in New York City this spring, NYU’s 80wse galleries (May 23-June 9), Peter Marcelle Contemporary in Bridgehampton this summer.
Photo credits: Lead portrait and studio shots by Meredith McBride Kipp, Jennifer McGee interior by Peter Rymwid, bottom Holland portrait by Sandra Locke.
Here is a sampling of a few of my favorite Edward Holland pieces. For inquiries about these and other works, you can contact Edward directly or call him at 917.584.6236
a painting for my nine year old self, acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 inches
hunter’s twilight (after gifford), acrylic, colored pencil, graphite and oil on canvas with collage, 36 x 36 inches
interior VI, acrylic, colored pencil and graphite on paper with collage, 14 x 11 inches
please please me, acrylic, colored pencil, graphite and oil on canvas with collage, 48 x 64 inches
This one is HUGE and soooo amazing!! I absolutely LOVE this piece and wish I had a wall large enough… one day…
the doomsday lollipop: 2007, acrylic, colored pencil, graphite and oil on paper with collage, 48 x 84″
I don’t know if it’s the pathetic excuse of a winter that we’ve had, but I am aching for Spring… just dying to tear into the cold, dormant soil to start beautifying our dead, gray backyard again. With the blank canvas we’re presented with every year, there are so many things to consider. One of my absolute favorite garden statements—real or (in my case) regularly dreamed about—is the RILL. They are so chic and simple.
Rills, or narrow canals, are water features that add dimension, ambiance and soul-pleasing sounds to any outdoor space. Formal rills are made of concrete or masonry and sometimes house beautiful water plants and flowers. In nature, rills—similar to natural brooks—are typically a narrow and shallow incision in topsoil, caused by surface water runoff. Historical origins of rills—seen in the designs of ancient Persian, Moorish, and Islamic gardens—were used as water transportation (from a spring or aqueduct) for irrigation of other daily uses.
Enjoy the gorgeous rills below!
For directions on how to build your own rill, click here.
The Dining by Design circuit begins again next month (March 22-26) at Pier 94 on the west edge of Manhattan at 55th Street. Always starting in New York and then traveling to other major domestic design hubs, this annual soiree—hosed by Architectural Digest and benefiting DIFFA (Design Industries Foundation Fighting AIDS)—is a party to behold.
2012 will be (I think) my 10th year in attendance—thanks originally to my mentor from my early 20’s (to present), Ted Kruckel, who brought me to my first DBD as his assistant. I got all gussied up, shadowed him and took notes: who he spoke with, highlights of the event including food, flow, lighting, celebrities (and famous drag queens), you know… the vitals. All it took was one beach-themed table with barely-dressed lifeguards and I was hooked. Now, every year, I look forward to the the feast of visual and culinary inspiration that is DBD; the new and exciting decor ideas, the classics reinvented, delicious bites from top chefs, endless cocktails, impulsive silent auction must-haves, and the run-ins with old friends. Here are a sampling of my photos from last year’s unveiling.
Benjamin Moore exhibit: creative way to make light of the vast array of their hues.
DVF's table. Fun atmosphere.
Super chic and so well done! I didn't catch who designed it but makes me think of the Furry Wall song from Russell Brand's flick, Get Him to the Greek.
This table smelled so good! Fragrant spring flowers at each setting will make for happy guests.
With friend, Marc Blackwell at his table. He grew amaryllis all summer (for the foliage, not the flower), photographed them and then blew them up to decorate his super comfortable, custom table.
Loved this comfy, technicolor party table by Scandia. Great atmosphere!
Great atmosphere and fabulous mid-century chairs. LOVE the wings, very rock n roll
Ralph Lauren table. They always do a nice job but this year was so simple (looking) and country comfy.
My husband, Ryerson Kipp, of The DSM Group with designer Michael Tavano. Note Michael's amazing chairs with lucite back and flokati seats! yum
Click here to see more photos from DBD 2011 in my event coverage for Health & Life magazine from last March.
To learn more about DBD and DIFFA and to buy tickets (will be on sale soon). To host your own installation click here. To contribute to the silent auction click here.
A few weeks ago I ate a fabulous meal at Dressler, a staple in Williamsburg, Brooklyn (on Broadway near Driggs). This Michelin-star rated restaurant (for 4 consecutive years) is owned by Colin Devlin, and filled with delicious, complex food and a unique wine list by executive chef Polo Dobkin.
Devlin hired Brooklyn artisans from the Brooklyn Navy Yard to build Dressler’s ornate metalwork-clad interiors and gorgeous zinc bar. Not only is the atmosphere and craftsmanship breathtaking, it’s also fun and surprising, as there are little creatures, birds and figures hidden throughout the cut-metal designs (shown below). Even the M and W signs on the restroom doors are sweet.
I highly recommend a meal there and book early! Though the place has been open since 2006, it’s always packed. Obviously they’re doin’ it all right!
International design hottie, Philipp Plein, had a gorgeous showroom at MAISON et OBJET this year—no surprise as the man is the guru for sleek-rock-n’-roll-bachelor. Hovering above a glamorous bedroom scape, was the most magnificent chandelier I have ever seen and I had one of those “damn, I wish I’d thought of that!” moments, followed by a “why hasn’t that been done before—it’s perfection” moments. Peppered into a seemingly classic, though giant, all-white Murano glass chandelier are little Murano skulls (see below). AMAZING!
At the time I didn’t realize I was speaking with Plein himself nor was I (yet) aware of his affinity for the skull (as a shape and graphic), but—I know now—from his sheer use of the skull throughout his brand that he practically owns the rights to it—the way Missoni owns flame stitch—or at least he hopes to soon.
After walking away from the elegant man-space, I was like why don’t I know anything about this Philipp Plein? Turns out his current celebrity muse is Lindsay Lohan, which is exactly why I don’t know anything about him. Regardless, the fine German fellow is only 32 years old and has a huge fashion and decor empire based out of Amriswil, Switzerland. He’s got glossy, white shops in several major cities around the world (including Saint Tropez, Moscow, and one coming soon to New York and Hong Kong), where he carries some of his eleven different lifestyle categories: fashion for men, women & children, luggage, accessories; a home collection with indoor & outdoor furniture, decor accessories, dog accessories, lightning, and even a riding saddle.
For a quick run-through of how cool this man is: at his very recent store opening in Duesseldorf, Germany (store photos above, note the giant Swarovski crystal skull), he was hanging out with the likes of Adrien Brody, there are rumors of him owning the 60-year-old and famous Munich night club, P1 (located inside the Haus der Kunst museum), and one of his newest stores (in Versilia, Italy) he designed in collaboration with very cool Milan-based architectural and design studio, AquiliAlberg.
All in all, the man is pretty fabulous—I’m jealous—but I’m still most impressed with the oversize white Murano skull chandelier I saw first hand in Paris.
At Maison et Objet in Paris—the mind-bogglingly huge, biannual world decor show— this year I was enamored with the work of Frédérique Morrel, the co-partnership of married couple Frédérique Morrel & Aaron Levin (shown below in full regalia).
Based out of Paris—where Frédérique was born (Aaron, originally of Topeka, Kansas)—they create these elaborate, whimsical pieces made of any combination of foam, fur, tapestry and horn. They “like [to use] materials that tell stories of simple, ideal happiness, and that have been caressed by many hands” and are inspired by “Adam & Eve, The Graden of Eden, Temptation, Original Sin, The Fall of Man, Paradise Lost, Deluge, Apocalypse, Noah’s Ark, Redemption, Re-birth, Vanities, and Veneration.” My kind of people!
Bergdorf Goodman featured several of their pieces in their holiday windows this year (shown far below in my previous post about NYC holiday window décor) with MIU-MIU and Oscar de la Renta.
The creative duo, Frédérique Morrel, has solo shows coming up this year in the Galerie Art to Design in Bologna and at the Galerie Libertine in Brussels.
